Educational

Bonhams London to Brighton Veteran Car Run 5 November 2017

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The London to Brighton Veteran Car Run is the longest-running motoring event in the world. More than 400 pioneering veteran cars (built before 1905), their drivers and passengers gathered in Hyde Park on Sunday 5 November waiting for daybreak to signal the start of the annual Bonhams London to Brighton Veteran Car Run supported by Hiscox.

Participants headed off for a nostalgic drive to the Sussex coast, where I was waiting to photograph them cross the finishing line to the rapturous cheers and applause of the crowds at Madeira Drive, Brighton.

This year the Run featured the largest entry in recent years, staged as it has been since 1930, by the Royal Automobile Club. The route this year took a detour to avoid the roadworks in Brixton as the map below shows.

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Although a number of cars were diverted following a road traffic accident involving one of the participating vehicles, 315 of the 401 starters made it to Brighton to claim a coveted finishers’ medal before sunset at 4.30pm. 

This year's Veteran Car Run marked 121 years since the original 'Emancipation Run', which was held in 1896 to celebrate the Locomotive on the Highway Act. This raised the speed limit for ‘light locomotives’ from 4 to 14 mph and abolished the need for a man to walk ahead waving a red flag to warn pedestrians and horse riders of its approach. The event’s ceremonial start includes the tearing in half of one such red flag, a poignant reminder of the liberation we commemorate on this annual ‘Emancipation Run'.

I particularly enjoy photographing this annual event because of the atmosphere and the fascinating history associated with each car, I have included some of the histories to accompany a few of the photographs from the day.

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The maximum speed the cars can travel is 20 mph, the first car above, to cross the finishing line at 10.45am - number 111, a 1902 Oldsmobile, 1 cylinder 4.5 HP driven by Andreas Melkus from Austria.

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Not far behind, above in car number 034, Robert Abery driving an 1899 Daimler, 2 cylinders 8 HP and car number 150 driven by Jiri Horice a 1902 Autocar, 2 cylinders 10 HP.

In all, 23 countries are represented in an entry list, which includes 34 new participants on the Run, while a further 18 have returned after missing the 2016 event.

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John Dennis driving the car above number 125, knows exactly where he was on Sunday, 1 November 1959, he knows exactly where he was on Sunday, 6 November 1960, too.
 
In fact, he can pinpoint where he was on the first Sunday of November of every year, ever since - bar one year in the 1990s, when he was in America on a business trip. On the first Sunday of every November, Dennis has been behind the wheel of his veteran car, making his way from London to Brighton.
 
Not just any veteran car either, but one made by his grandfather’s company 115 years ago. It’s a 1902 Dennis Tonneau, 1 cylinder 8 HP, built by the Guildford-based Dennis Brothers, a company better known today for its buses, trucks and fire appliances. This year, John Dennis OBE drove the same car – registered P 26 – for the 58th time on the annual Bonhams London to Brighton Veteran Car Run. The car however, will be on its 66th Run, having completed eight Runs with John’s father at the wheel in the late 1940s and early 1950s.

John and two other drivers who have taken part in 50 or more Runs are to be given special Gold Medals by the Royal Automobile Club in recognition of their remarkable achievements. John will be joined at the ceremony by John Kemsley and John Newens below driving car number 312, his 1904 Star, 2 cylinders 7 HP - who have participated in 50 and 61 Runs respectively.

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Passenger, Charley Boorman TV presenter, travel writer and actor with driver Damon Hill OBE, British former racing driver, above in a 1904 Rover, 1 cylinder 8 HP from the British Motor Musem.

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Above photograph of Malcolm Barber Co-Chairman of the Bonhams Group, driving car number 260 a 1903 Peerless, 2 cylinder 16 HP.

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Guy Middleton above, has been the proud owner of car number 218, a 1903 Wolseley Tonneau, 2 cylinders 7.5 HP for the past seven years, and his father before him the owner since 1984.

Guy has taken part in the Run on and off since 1983 as a passenger, he then completed a series of Runs in a single cylinder Bare as the driver.

I asked him to share any special memories about any of the Runs, this is his reply: "The first Run we had a puncture in Croydon High Street. Fortunately, we had inner tubes, a jack and some tyre levers and when we got going again we received an amazing round of applause for changing a tyre in about half an hour! A few Runs later we hired mobile phones (the ones that look like a brick with a rat tail), we had to keep it in the umbrella basket!"

I was also curious to know if he owns any other cars, and if so which was his favourite and why, Guy explained: "No, this is the only one and I have to look after it. We used it on our wedding day, to go from the church to our reception, so it does have a lot of great memories. At one point we had three cars in the Run, including my mother in a 1901 Baker electric. I shall wait and see if my daughters get the bug!"

Guy above, driving with his friends.

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Ms Quirina Louwman above with her children and with her father driving 'Genevieve' their 1904 Darracq, 2 cylinders 12 HP, from the Louwman Museum in the Netherlands.

This car was the star of the 1953 British comedy film 'Genevieve' - about two couples who took part in the Run. Always a pleasure to see 'Genevieve' and her faithful occupants at the Run!

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Above a 1901 De Dion, 1 cylinder 4.5 HP driven by Jerome Stevens.

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Following the Run were 60 auction winners who bid for a seat on one of three vintage buses.

The 60 Go Bonkers to Brighton auction was organised by BBC Radio 2 DJ Chris Evans to raise money for BBC Children in Need. In the three years Children in Need has been involved in the Run, more than £741,000 has been raised for the charity. Many congratulations to them for raising much-needed funds for such a worthy cause!

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Above Chris Evans, seen here with Pudsey Bear, drove one of the busses - the passengers were the auction winners who bid for a seat to raise money for BBC Children in Need.

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Above presenter Alex Jones from BBC One, The One Show driving one of the 1950s Bedford coaches.

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(Photograph supplied by MPA Creative)

Although the Run is not a race, in recent years the Chopard Regularity Trial has introduced an additional interesting element to the Run.

The Regularity Time Trial starts halfway through the Run after participants have regrouped at the Crawley half-way checkpoint. The Time Trial starts at Crawley High Street and finishes 13 miles later at another checkpoint at Burgess Hill in Sussex. 

Before the Run, each entrant will nominate the average speed they think they will maintain over the 13 miles – the options are 8 mph, 10 mph, 12 mph, 14 mph, 16 mph and 18 mph. If no speed is nominated, the default average speed is set at 12 mph. The car and driver that gets closest to its nominated average speed wins the watch.

This year’s winner of a Chopard Mille Miglia Chronograph, worth £4,900 is Ymer Sletter, who opted for a 12 mph average between the two points and came closest to his nominated speed. Driving a Cadillac dating back to 1904 shown in the photograph above (supplied), Sletter’s actual speed for the allocated section in the Sussex Downs was an amazing 12.01 mph.

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The crowds gathered to cheer and applaud the participants and their wonderful array of veteran cars on a sunny, but chilly Sunday.

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Above, an 1899 steam Locomobile, 2 cylinders 3.5 HP driven by Kempton Moody finished just before sunset.

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Safely back on the trailer and homeward bound!

Thanks for reading, I'm already looking forward to Bonhams London to Brighton Veteran Car Run 2018!

To view more photographs from the day please follow this link to my website. I'll be back soon with more news in the next week or so.

Bye for now.

Stella

Into the Woods...

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A little peek behind-the-scenes at this year's Christmas promotional photo-shoot and where my inspiration came from.

I wanted to do something a little different for my Christmas window display, so this year I have gained some inspiration from the Pre-Raphaelite artists. You may recognise Jemima, the lovely model I've chosen from the meadow photo-shoot back in the summer, her fair complexion and long wavy reddish-brown hair suited the overall look I was aiming for.

The shoot took place late on an autumnal afternoon, it didn't take long to find the perfect spot to set up a makeshift studio with my trusted lighting technician, armed with a variety of lights and reflectors to choose from.

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For those of you who want to know, the lens I'm using is my favourite 70-200mm f2.8, I tend to shoot on a low ISO and slow shutter speed, to allow for a mix of ambient light and continuous or flashlight.

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To view the final photograph on display, please visit us on Thursday 16 November for the Grand Window Reveal for some of Oxted's festive window displays, and for the town's official Christmas Lights switch on at 7pm - with late night shopping too!

Photographs of loved ones make ideal and original Christmas gifts - to book your studio or location photo-shoot, or to place an order for a personalised gift voucher, please call the studio on 01883 722282 - thank you.

Stella

Every Picture Tells a Story

What's Your Story?

I took these photographs of Gladys four years ago to celebrate her 90th birthday, her daughter-in-law, a lovely long term customer brought her in for the shoot - she had made sure Gladys was looking her best - I think she looks fantastic!
Look at her face, all those contours and lines tell the story of her life. That's what I love about my work, telling the story of your life in the here and now.

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I'm looking forward to capturing Gladys' portrait to celebrate her 100th year, that's a story waiting to be told!

Have you ever stopped to think, "What's my story?"

Now that's something I can help you with...

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With love
Stella
and the SMS Creative Photography Family

Choosing a Camera

I'm frequently asked, "Which camera do you suggest I buy?"

Now, this is a tricky one as there are so many to choose from - compact, DSLR, bridge, film, digital, big, small you name it - it's so confusing! Often cameras are bought on price and are rarely used to their full potential, frequently discarded in frustration and replaced with something more readily available like the smartphone!

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Nowadays smartphones are so brilliant and accessible that they have become the camera of choice and for so many understandable reasons, ease of use, convenience, social media sharing and practicality. I love the fact that I can grab a moment and share on Instagram, or send an image to loved ones in an instance, or be on the receiving end of this piece of magnificent technology is nothing but pure genius, creating a feeling of connectedness. 

But, and it's a big BUT, what if you want more from your camera and don't want to feel a deep obligation to share for all and sundry to see your world. This is where the humble camera takes pride of place in all its glory, below I've listed a few things to consider before you part with your hard-earned money; like any other purchase I suggest you shop around, these are just a few pointers for any budget and worth researching first.

All recommendations are my own, I'm not sponsored by any brand, enjoy the experience and do what makes you happy :)

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So What's On Offer?

Point-and-Shoot and Bridge
Canon, Nikon, Sony, Samsung, Panasonic, Fuji, Olympus


Easy to carry, ideal if you don’t have a big budget to spend on a camera and are not too concerned about the optimum image quality.

Pros:-

  • The fixed lens has a great range from wide angle to telephoto

  • No interchangeable lenses to worry about

  • Easy to use for novices in auto mode

  • Wide range of easy to use settings

  • Can take video as well

  • Most have written tips to help you get the best out of using your camera

  • Special effects like panoramic feature

  • Built-in flash

  • Shoot in live view

  • Bridge cameras have viewfinders and are a good transition to DSLR

  • Pocket size

Cons:-

  • No viewfinder (except with Bridge cameras) and hard to see image on the back of the camera in bright sunlight

  • Can be too small to handle and fiddly to use the buttons (Bridge cameras are larger than point-and-shoot)

  • Not easy to use in manual control

  • Sound and image on video can be poor

  • Not good in low lighting conditions

  • No option to use a flashlight accessory

DSLR  
Nikon, Canon, Fuji, Samsung, Panasonic


Digital Single Lens Reflex means the subject is viewed via a mirror through the viewfinder to the lens - ideal if you want to control the camera in manual mode to achieve optimum results. A bigger budget is needed to get one of these, ideal for the serious photographer who cares about quality, results, and wants to learn to progress.

Pros:-

  • Superior image quality

  • Can be used in manual mode with complete control over settings

  • Wide selection of interchangeable lenses

  • Large image sensor for optimum quality

  • Ideal for shooting in low lighting conditions

  • Option to assign programmable functions to buttons

  • Higher resale value than point and shoots

  • The body can be purchased separately to the lens

  • Full frame 35mm image sensor on professional options

  • Cropped sensor will give the lens 50% more distance on the focal length

  • Written information viewed on screen of camera to help you understand the controls and settings

Cons:-

  • Big and bulky and a variety of lenses will fill your camera bag

  • Lots to learn because of the vast options to control the end result

  • Steep learning curve

  • There are no special effect options in camera

  • Cropped sensor will give the lens 50% more distance on the focal length (potential disadvantage if shooting wide-angle)

EVIL or Mirrorless
Fuji, Sony, Olympus


Electronic Viewfinder with Interchangeable Lenses
These cameras are sometimes used by professionals as an easy to use option when the occasion arises and in addition to DSLR's.
Mirrorless interchangeable-lens cameras (MILC)
Or Compact Systems Camera (CSCs)
A reasonable price range between a point and shoot and DSLR

Pros:-

  • Provides excellent image quality on par with entry level DSLR

  • Portable

  • Better manual controls

  • Easy to use and understand controls

  • Shoot in live view

  • Interchangeable lenses

  • Good in low lighting

  • Good for beginners to learn to progress to DSLR

  • Good video results

  • Panoramic special effects

  • Reasonable resale value

Cons:-

  • No proper viewfinder

  • Limited lens selection using adaptors means loss of automatic use

  • Can sometimes work out more expensive than DSLR’s once you add on the accessories like flashes and viewfinders

  • Not pocket size

I hope this has helped to choose your next, or the first camera, please feel free to share with anyone who asks the question, "Which camera do you suggest I buy?"

Enjoy!

with love
Stella
and the SMS Creative Photography Family

From Camera To Wall - Part Five - The Art of Post Production

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Welcome to part five of six newsletters 'From Camera - Wall'

Following on from the previous newsletter 'Viewing Session and Choosing What's Best For You', we are now exploring 'The Art of Post Production'.

Post Production

With modern day technology being so accessible, we have become accustomed to instant results at the touch of a button. I'd like to give you a glimpse behind the scenes at SMS Creative Photography with this short video below, demonstrating just what's entailed in the post production process with Ben, one of our skilled in-house digital artists. 

All the images we take are treated individually and processed through a series of careful actions to reach our stringent standards, we are so proud of.

With modern day technology being so accessible, we have become accustomed to instant results at the touch of a button. I'd like to give you a glimpse behind the scenes at SMS Creative Photography with this short video, demonstrating just what's entailed in the post production process with Ben, one of our skilled in-house digital artists.

 

Please join me next time for the final part of the series 'Printing' to learn a little more about the process 'From Camera to Wall'.

Thanks for reading!

Bye for now.

Stella

From Camera To Wall - Part Four - Viewing Session and Choosing What's Best For You

Welcome to part four in a series of six newsletters 'From Camera - Wall'

Following on from the previous newsletter Photographing on Location & Equipment Used,

we are now exploring the 'Viewing Session and Choosing What's Best For You'.

Viewing

A week or so after your location shoot you are invited into the comfort of our studio for a presentation of the photographs. An hour is set aside to go through the images to select your favourites, don't worry I have already done the first edit.

A number of images are shown on the screen so a comparison can be made and shuffled into different folders of preference. The images below give an idea of what to expect.

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A selection of images to choose your favourites from...

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a variety of templates to help choose which works best for you...

Choosing

Depending on how you choose to display your photographs, either for yourself or as a gift, different layouts, papers, glass, frames and acrylic finishes are suggested to suit you.

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different ways to display four different photographs...

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a single image can work just as well...

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compare an example of colour to black and white before deciding...

The above is all done prior to skilled in-house post production, which will feature in Part Five - 'Editing and Post Production'.

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and there is a variety of frames to choose from.

Please join me in two weeks time to learn a little more about the process 'From Camera to Wall'.

Thanks for reading!

Bye for now.

Stella